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Howard the Duck


: :If you concentrate on the fact that Howard the Duck was a notorious box office dud (still brought up today) and considered one of the worst films of the '80s, it's entirely possible to enjoy this special effects piffle. Howard, played by a special effect puppet, lives on a planet where ducks evolved instead of apes, but one day he's sucked into a vortex and deposited on Earth. There he befriends Beverly Switzler (Lea Thompson), lead singer for the Cherry Bombs, becomes their manager, and, oh yeah, saves the Earth from the Dark ...

starring: Lea Thompson, Jeffrey Jones, Tim Robbins, Ed Gale, Chip Zien
directed by: Willard Huyck



Santa Jr


: :If you concentrate on the fact that Howard the Duck was a notorious box office dud (still brought up today) and considered one of the worst films of the '80s, it's entirely possible to enjoy this special effects piffle. Howard, played by a special effect puppet, lives on a planet where ducks evolved instead of apes, but one day he's sucked into a vortex and deposited on Earth. There he befriends Beverly Switzler (Lea Thompson), lead singer for the Cherry Bombs, becomes their manager, and, oh yeah, saves the Earth from the Dark ...

starring: Lauren Holly, Judd Nelson, Nick Stabile, George Wallace, Ed Gale
directed by: Kevin Connor



I Love You Alice B Toklas


: :Poor Harold Fine (Peter Sellers)... he's a suit-and-tie-wearing Jewish professional who's being pressed by his fiancée (Joyce Van Patten, in a supremely whiny and irritating performance) to nail down a wedding date. Harold's bored and dissatisfied with his life, though; when he meets Nancy (Leigh Taylor-Young), a hippie-chick friend of his brother's, he decides to tune in, turn on, and drop out, in a big way. He flees the altar, leaving Joyce standing alone, and pursues the counterculture life. Soon, though, Harold discovers that the hippie life isn't all it's cracked up to ...

starring: David Arkin, Gary Brown, Janet E. Clark, Sidney Clute, Joe Dominguez



Chopper Chicks in Zombietown


: :Poor Harold Fine (Peter Sellers)... he's a suit-and-tie-wearing Jewish professional who's being pressed by his fiancée (Joyce Van Patten, in a supremely whiny and irritating performance) to nail down a wedding date. Harold's bored and dissatisfied with his life, though; when he meets Nancy (Leigh Taylor-Young), a hippie-chick friend of his brother's, he decides to tune in, turn on, and drop out, in a big way. He flees the altar, leaving Joyce standing alone, and pursues the counterculture life. Soon, though, Harold discovers that the hippie life isn't all it's cracked up to ...

starring: Jamie Rose, Catherine Carlen, Lycia Naff, Vicki Frederick, Kristina Loggia
directed by: Dan Hoskins



Sweet Sweetback's Baadasssss Song


: :Raw, jagged, and explosively angry, Sweet Sweetback's Baadasssss Song is a landmark in American independent cinema. Melvin Van Peebles directed, wrote, produced, edited, scored, and stars as Sweetback, a passive bouncer raised in a brothel. Shot guerrilla style on a starvation budget on the streets of Los Angeles, it's a violent tale of Sweetback's journey from passive acceptance to political awareness and active defiance. He becomes the target of a manhunt when he kills two cops who beat up a young black activist, and he bounces from hideout to hideout before running for ...

starring: John Amos, Michael Augustus, Simon Chuckster, Steve Cole, John Dullaghan



Laurel & Hardy: Love 'Em & Weep


:Description:Oliver Hardy is a well-to-do businessman who is blackmailed by a sharp floozy (May Busch) with whom he indiscreetly had been an 'item' in his vagrant youth in Love 'Em and Weep. Stan Laurel plays Hardy's befuddled but loyal assistant sent to head the woman off at the pass.

starring: Stan Laurel, Oliver Hardy, James Finlayson, Mae Busch, Ed Brandenburg
directed by: F. Richard Jones, Fred Guiol



Sweet Sweetback's Baadasssss Song


: :Raw, jagged, and explosively angry, Sweet Sweetback's Baadasssss Song is a landmark in American independent cinema. Melvin Van Peebles directed, wrote, produced, edited, scored, and stars as Sweetback, a passive bouncer raised in a brothel. Shot guerrilla style on a starvation budget on the streets of Los Angeles, it's a violent tale of Sweetback's journey from passive acceptance to political awareness and active defiance. He becomes the target of a manhunt when he kills two cops who beat up a young black activist, and he bounces from hideout to hideout before running for ...

starring: John Amos, Michael Augustus, Simon Chuckster, Steve Cole, John Dullaghan



Glory Stompers (Amazon.com Exclusive)


:Description:The motorcycle gang leader of the Black Souls steals the girlfriend of the rival Glory Stompers' leader in a fracas. The Glory Stompers go after the Black Souls to get the young woman back.

starring: Dennis Hopper, Jody McCrea, Jock Mahoney, Chris Noel, Robert Tessier
directed by: Anthony M. Lanza



The Star Wagon (Broadway Theatre Archive)


:Description:The past and present co-exist in Maxwell Anderson's 1930s play when a disappointed inventor unleashes his latest gadget--a 'star wagon'--that will return its driver to any desired point in time. The time machine gives him a chance to revamp his life. In an especially vivid characterization, a very young Dustin Hoffman portrays the inventor's muttering stooge. This 1967 film, which preceded The Graduate, clearly demonstrates the early genius of Dustin Hoffman. With Eileen Brennan, Richard Castellano, Orson Bean, and Marion Seldes.

starring: Orson Bean, Eileen Brennan, Hal Burdick, Richard S. Castellano, MacIntyre Dixon
directed by: Karl Genus



Tiptoes


: :An unusual and heartfelt drama about prejudice and the bonds of family, Tiptoes centers around Steven (Matthew McConaughey, EDtv), a firefighter whose artist girlfriend Carol (Kate Beckinsale, Laurel Canyon) gets pregnant. When Steven reacts with unexpected dismay, Carol is perplexed--until she learns that the rest of Steven's family are dwarves, including Steven's twin brother Rolfe (Gary Oldman, Sid & Nancy, Harry Potter and the Prisoner of Azkaban). Though it's initially hard to take Oldman as a dwarf (the special effects are limited), his performance is so rich and remarkable that you become engaged ...

starring: Gary Oldman, Peter Dinklage, Kate Beckinsale, Matthew McConaughey, Patricia Arquette
directed by: Matthew Bright





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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.





$17.99



It's a measure of the ongoing popularity of Karen and Richard Carpenter that the 2002 release of this video collection in DVD format comes nearly 20 years after Karen's death. The duo's heyday mostly preceded the MTV age, so this 15-song, 55-minute anthology is a bit of a visual hodgepodge, composed of still photos, footage from TV shows and concerts, promo clips, fleeting attempts at conceptual videos, and other weirdness (film of Carpenters albums being pressed on the assembly line? Hey, whatever). You'll see an array of bad haircuts and outfits and a whole lot of lip-syncing, but in the end, it's the music that counts. And the Carpenters' signature sound, with its brilliant arrangements, its lush harmonies, and Karen's exquisite alto voice, was easy-listening pop at its finest. If nothing else, Carpenters: Gold offers another chance to hear that music in all its glory. --Sam Graham
$12.99



With a gentle tug at the heartstrings, Evelyn tells the true story of an imperfect father whose devotion brought much-needed change to rigid Irish law. It's a labor of love for star and coproducer Pierce Brosnan, who brings just the right touch of Everyman charm to his role as Desmond Doyle, a struggling Dublin tradesman, father of three, and chronic pub-crawler whose wife abandons their family the day after Christmas, 1953. Desmond's a loving father who's boyishly irresponsible; Irish law dictates the removal of his children to stern Catholic orphanages, and his battle for custody is aided by two lawyers (Stephen Rea, Aidan Quinn) who seize this opportunity to revolutionize the courts. With straightforward, unobtrusive style, director Bruce Beresford draws fine performances from Brosnan, Julianna Margulies (as a barmaid who inspires Desmond's sobriety), and especially young Sophie Vavasseur in the title role as Desmond's bright, determined daughter. Sentimental without being saccharine, Evelyn is simple, well made, and bursting with genuine Irish spirit. --Jeff Shannon

by Jessica Simpson, Katina Z. Jones

Average customer rating: 3.5 ISBN: 0972457534

by Jessica Simpson
$14.95

Average customer rating: ISBN: 063408075X

by Jill C. Wheeler
$18.88

Average customer rating: 4.0 ISBN: 1591978793
$8.97



Few would accuse Fantasia of a reluctance to abide by the wisdom that what you've got, you should flaunt, and the vocal gusto she slathers over her full-length debut gets partial credit for earning--and keeping--your attention. To a greater extent, though, the high-wattage help heaped over the Idol 3 champ and Patti LaBelle-sound-alike makes the disc dazzle. In addition to pitch-ins from Missy Elliott, who produced and co-wrote three tracks and busts out a two-snaps-up rhyme on "Selfish (I Want U 2 Myself)," Jazze Pha duets on the ultra-mod "Don't Act Right" and Jermaine Dupri wrote and produced the smolderer "Got Me Waiting." Surprisingly, though, it's not those tracks or even the Idol-propelled cover of the Gershwins' "Summertime" that will stick with listeners most. Instead, first single "Truth Is," a sweet, old-school R&B lament directed toward a lost love, and "Baby Mama," a spirited shout-out to hard-working single mothers, snare standout status with their from-the-gut authenticity. Keeping it real is what won Fantasia the hearts of millions on TV, and despite Free Yourself's likable slickness, it convinces that--hot commodity or no--she's not about to forget it. -Tammy La Gorce
Tiptoes
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