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The Lonely Lady



starring: Pia Zadora, Lloyd Bochner, Bibi Besch, Joseph Cali, Anthony Holland
directed by: Peter Sasdy



Sextette



starring: Mae West, Timothy Dalton, Dom DeLuise, Tony Curtis, Ringo Starr
directed by: Ken Hughes



Barbarella


: essential video:Jane Fonda's memorable, zero-gravity striptease during the opening credits of this 1968 Roger Vadim movie is the closest the film comes to a liberated marriage of wit and sex. Based on a French comic strip, the story concerns the adventures of a 41st-century woman, who pretty much gets it on with whomever asks. The sci-fi sets were pretty interesting at the time, though they look rather anachronistic now. Appreciated today mostly as a camp classic, the movie is actually more trying than anything else. --Tom Keogh

starring: Jane Fonda, John Phillip Law, Anita Pallenberg, Milo O'Shea, Marcel Marceau
directed by: Roger Vadim



Big Bad Mama


: :Angie Dickinson stars as a bank-robbing matriarch in this 1974 Roger Corman production, often described as a knock-off of Bonnie and Clyde. (As if that makes any difference regarding the worth of the film--which is pretty good.) Set in Great Depression-era Texas, the story finds Dickinson's desirable and poor character driven to crime, along with her two daughters (Susan Sennett, Robbie Lee), all of whom use sex to distract or drive men into culpability. The film, directed by Steve Carver, is pure Corman formula: fast-moving, violent, gritty, adorned with nudity, and yet solidly ...

starring: Angie Dickinson, William Shatner, Tom Skerritt, Susan Sennett, Robbie Lee
directed by: Steve Carver



Showgirls


: :When Goldie Hawn recommended Elizabeth Berkley for a small role in First Wives Club, she publicly stated that Berkley deserved the opportunity to redeem herself after starring in the ridiculous Showgirls. That says it all: this sleazy, stupid movie, which mixes soft pornography with the clichés of backstage dramas, is the kind of project an aspiring actress would have to put well behind her to keep a career going (though costar Gina Gershon certainly benefited from her, uh, exposure in the film). Berkley plays a drifter who hitches a ride to Las Vegas, ...

starring: Gina Gershon



Embrace of the Vampire (Unrated)


:Description:A sensuous but innocent college freshman is seduced by a most obsessive lover.

starring: Martin Kemp, Rebecca Ferratti, Glori Gold, Seana Ryan, Sabrina Allen
directed by: Anne Goursaud



Beyond the Valley of the Dolls


:Description:When three female rock'n'rollers travel to Hollywood to claim an inheritance, they meet up with a kinky music promoter who turns them on to a whole new scene. At first, all seems very exciting and the naïve trio becomes submerged in his dangerous tinseltown underworld-before they discover his true motives. :You either love Russ Meyer's garishly sexist movies about bodacious babes and priapic men or you find them utterly disgusting. The response to his work is that clear-cut. This film, which features a screenplay by critic Roger Ebert, barely qualifies as a sequel ...

starring: Michael Blodgett, Phyllis Davis, Veronica Ericson, Erica Gavin, David Gurian



9 1/2 Weeks (Unrated)


: :Frequently given short shrift as a blue movie (which it is) and as mindless (which it isn't), director Adrian Lyne's follow-up to Flashdance (insert own joke here) is a thoughtful, smutty film about a bad sexual relationship. It follows the two-month affair between Elizabeth, an art-gallery dealer, and John, a Wall Street exec. The relationship spirals downward into raunchier sex (filmed, by the way, quite nicely) but principally is about two adults doing adult things but not acting anything like real adults. Attempts at actual human connection, about the longing to be 'good,' ...

starring: Mickey Rourke, Kim Basinger, Margaret Whitton, David Margulies, Christine Baranski
directed by: Adrian Lyne



Two Moon Junction


: :This camp spectacle stars Sherilyn Fenn (Boxing Helena) as an upper-crust Southern belle who abandons the posh life for sex on the road with a carny worker. Naturally, the older folk (Burl Ives, Louise Fletcher) take exception. Typically silly, soft-porn stuff from director Zalman King (Wild Orchid), this erotic joke of a movie is good for putting one's busy brain on hold for awhile. Colorful support from Kristy McNichol as a cowgirl, Screamin' Jay Hawkins, and the late Hervé Villechaiz (Fantasy Island). --Tom Keogh

starring: Sherilyn Fenn, Richard Tyson, Louise Fletcher, Burl Ives, Kristy McNichol
directed by: Zalman King



Striporama


: :This camp spectacle stars Sherilyn Fenn (Boxing Helena) as an upper-crust Southern belle who abandons the posh life for sex on the road with a carny worker. Naturally, the older folk (Burl Ives, Louise Fletcher) take exception. Typically silly, soft-porn stuff from director Zalman King (Wild Orchid), this erotic joke of a movie is good for putting one's busy brain on hold for awhile. Colorful support from Kristy McNichol as a cowgirl, Screamin' Jay Hawkins, and the late Hervé Villechaiz (Fantasy Island). --Tom Keogh

starring: Georgia Sothern, Jerald Intrator, Betty Page, Lili St. Cyr
directed by: Georgia Sothern, Lili St. Cyr





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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.





$10.99



You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam Graham
$9.99



The teaming of Johnny Knoxville (Jackass: The Movie) and Seann William Scott (Dude, Where's My Car?) as well as the presence of the '70s-flavored car chases that were a specialty of the TV series guarantees that The Dukes of Hazzard will be even more lowbrow than the CBS TV series (1979-85) that inspired it. However, this brain-damaging comedy is more "rehash" than "remake," as good ol' Georgiaboys Luke Duke (Knoxville) and his cousin Bo (Scott) are frequently upstaged bythe General Lee, the Confederate-flagged '69 Charger that they drive, jump, race, and fly in as they smuggle moonshine for their Uncle Jesse (Willie Nelson). Meanwhile, cousin Daisy Duke (Jessica Simpson) is reliably available to model her short-shorts (aka "Daisy Dukes") and awesome figure (and let's face it, Simpson's talents pretty much begin and end right there), while corrupt honcho Boss Hogg (Burt Reynolds, who should know better) recruits a local NASCAR star to advance his wily scheme of converting Hazzard County into a strip mine. Director Jay Chandrasekhar (Super Troopers) manages to mine some good-natured humor from the movie's oval-track detour and a few colorful supporting players (notably Kevin Hefferman as the Duke's pal Sheev). Otherwise, consider yourself warned: The Dukes of Hazzard is shameless Hollywood product at its most forgettable, trafficking in shameless white, rural Southern stereotypes. If you can make itto the end, there's a blooper reel to reward your endurance. --Jeff Shannon

DVD features
Yes, the unrated edition of The Dukes of Hazzard has nudity... but no, it's not of Jessica Simpson, but topless sorority girls. There are also two sets--"PG-13" and "unrated"--of deleted scenes and bloopers. The four minutes of unrated deleted scenes (supplementing the 25 minutes of "PG-13" deleted scenes) include more sorority girls and a menage à trois for Johnny Knoxville . The five minutes of unrated bloopers (the same amount as the "PG-13" bloopers) feature a few more girls but mostly bad language. Featurettes discuss the Daisy Duke short shorts (and show how you can make your own), car stunts, and the making of the movie (narrated by a cast member of the original TV series). --David Horiuchi


by Michael-Anne Jones, Marie Morrale

Average customer rating: 4.5 ISBN: 0590024493

by Barbara Hanson

Average customer rating: ISBN: 1560323469

by Matt Netter, Nancy E. Krulik, Jill Matthews

Average customer rating: 3.5 ISBN: 0671713841
$13.57

Steve McCurry

Striporama
Shopping  Created at Wed Dec 3 02:01:41 2008