Riverdance - The Show

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Fantasia


: essential video:Groundbreaking on several counts, not the least of which was an innovative use of animation and stereophonic sound, this ambitious Disney feature has lost nothing to time since its release in 1940. Classical music was interpreted by Disney animators, resulting in surreal fantasy and playful escapism. Leopold Stokowski and the Philadelphia Orchestra provided the music for eight segments by the composers Tchaikovsky, Moussorgsky, Stravinsky, Beethoven, Ponchielli, Bach, Dukas, and Schubert. Not all the sequences were created ...

starring: Leopold Stokowski, Deems Taylor, James MacDonald (II), Walt Disney, Julietta Novis
directed by: Wilfred Jackson, Hamilton Luske, Ford Beebe, Bill Roberts, Samuel Armstrong



The Little Mermaid (A Walt Disney Classic)


: essential video:Groundbreaking on several counts, not the least of which was an innovative use of animation and stereophonic sound, this ambitious Disney feature has lost nothing to time since its release in 1940. Classical music was interpreted by Disney animators, resulting in surreal fantasy and playful escapism. Leopold Stokowski and the Philadelphia Orchestra provided the music for eight segments by the composers Tchaikovsky, Moussorgsky, Stravinsky, Beethoven, Ponchielli, Bach, Dukas, and Schubert. Not all the sequences were created ...

from: Walt Disney Home Video



The Jungle Book


: essential video:Disney's 1967 animated feature seems even more entertaining now than it did upon first release, with a hall-of-fame vocal performance by Phil Harris as Baloo, the genial bear friend of feral child Mowgli. Based on fiction by Rudyard Kipling, the film goes its own way as Disney animation will, but the strong characters and smart casting (George Sanders as the villainous tiger, Shere Khan) make it one of the studio's stronger feature-length cartoons. Songs include 'The ...

starring: Phil Harris, Sebastian Cabot, Louis Prima, George Sanders, Sterling Holloway
directed by: Wolfgang Reitherman



Tim Burton's The Nightmare Before Christmas


: :For those who never thought Disney would release a film in which Santa Claus is kidnapped and tortured, well, here it is! The full title is Tim Burton's The Nightmare Before Christmas, which should give you an idea of the tone of this stop-action animated musical/fantasy/horror/comedy. It is based on characters created by Burton, the former Disney animator best known as the director of Pee-wee's Big Adventure, Beetlejuice, Edward Scissorhands, and the first two Batman movies. His benignly ...

starring: Danny Elfman, Chris Sarandon, Catherine O'Hara, William Hickey, Glenn Shadix
directed by: Henry Selick



Beauty and the Beast (Disney Special Edition)


: essential video:The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is too hard to love anyone besides himself), Belle boldly takes ...

starring: Paige O'Hara, Robby Benson, Richard White, Jerry Orbach, David Ogden Stiers
directed by: Kirk Wise, Gary Trousdale



Wizard of Oz


: essential video:When it was released during Hollywood's golden year of 1939, The Wizard of Oz didn't start out as the perennial classic it has since become. The film did respectable business, but it wasn't until its debut on television that this family favorite saw its popularity soar. And while Oz's TV broadcasts are now controlled by media mogul Ted Turner (who owns the rights), the advent of home video has made this lively musical a mainstay in ...

starring: Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Jack Haley
directed by: Victor Fleming, Mervyn LeRoy, Richard Thorpe, King Vidor



The Pirates of Penzance


: :When New York theatrical producer Joseph Papp decided to bring Gilbert and Sullivan to Broadway, he added typically broad, bold strokes to make their singular operetta format meaningful to 1980s audiences. In The Pirates of Penzance, Papp had a story that offered a mixture of potential action and comedy that was less arcane than other G&S chestnuts, which Papp's production underlined by playing up its antic conflict between its hapless, titular pirates and the citizens of Penzance, the ...

starring: Kevin Kline, Angela Lansbury, Linda Ronstadt, George Rose, Rex Smith
directed by: Wilford Leach



Moonwalker


: :When New York theatrical producer Joseph Papp decided to bring Gilbert and Sullivan to Broadway, he added typically broad, bold strokes to make their singular operetta format meaningful to 1980s audiences. In The Pirates of Penzance, Papp had a story that offered a mixture of potential action and comedy that was less arcane than other G&S chestnuts, which Papp's production underlined by playing up its antic conflict between its hapless, titular pirates and the citizens of Penzance, the ...

starring: Michael Jackson, Dion Basco, Kimberly Duncan, Maurissa Tancharoen, Dove Dellos
directed by: Jerry Kramer (II), Jim Blashfield, Colin Chilvers



Yentl


: essential video:Barbra Streisand made her directorial debut with this 1983 adaptation of the Isaac Bashevis Singer story about a young Eastern European woman (Streisand) who disguises herself as a male at the turn of the century in order to get an education. Except for an excessive musical score with too many songs and Streisand's tiresome tendency to play characters who suppress their beauty, the film is crisp and engaging, and the gender-bending love story complications are fun, ...

starring: Robbie Barnett, Lynda Baron, Danny Brainin, Renata Buser, Allan Corduner



Riverdance - The Show


: :Riverdance--The Show is a cultural phenomenon that defies criticism for the enthusiastic and leaves everyone else scratching their heads. The wonderfully talented cast, headed by the Riverdance Irish Dance Company, bewitchingly spins (and stomps) its Celtic folk choreography featuring numerous breathless solos by Michael Flatley (since departed) and Jean Butler. The mellifluous Riverdance Orchestra boasts Davy Spillane, who coaxes plaintive lamentations out of a peculiar instrument that resembles a bagpipe in a metal leg brace. For Enya fans, ...

starring: Michael Flatley, Jean Butler, Brendán de Gallaí, Areleen Ni Bhaoill, María Pagés
directed by: John McColgan





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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.





$14.49



Joshua Logan's 1967 film of the hit Broadway musical about the love triangle between King Arthur (Richard Harris), Guenevere (Vanessa Redgrave), and Sir Lancelot (Franco Nero) is strong on star emphasis and weak on such fundamentals as story and sets. Except for a handful of solidly dramatic scenes--such as Guenevere grieving, late in the film, for the ruination she and Lancelot have caused--there's not a lot to get excited about. (The story's theme of a lost, great society, however, certainly struck a chord in the 1960s.) The Lerner-Loewe songs ("If Ever I Would Leave You," "Camelot") pretty much sell themselves, even if they are, at best, only proficiently performed in this movie. --Tom Keogh
$15.99



"The book was better" has been the complaint of many a reader since the invention of movies. Frank Darabont's second adaptation of a Stephen King prison drama (The Shawshank Redemption was the first) is a very faithful adaptation of King's serial novel. In the middle of the Depression, Paul Edgecomb (Tom Hanks) runs death row at Cold Mountain Penitentiary. Into this dreary world walks a mammoth prisoner, John Coffey (Michael Duncan) who, very slowly, reveals a special gift that will change the men working and dying (in the electric chair, masterfully and grippingly staged) on the mile . As with King's book, Darabont takes plenty of time to show us Edgecomb's world before delving into John Coffey's mystery. With Darabont's superior storytelling abilities, his touch for perfect casting, and a leisurely 188-minute running time, his movie brings to life nearly every character and scene from the novel. Darabont even improves the novel's two endings, creating a more emotionally satisfying experience. The running time may try patience, but those who want a story, as opposed to quick-fix entertainment, will be rewarded by this finely tailored tale. --Doug Thomas

On the DVD


Listen to our interview with Frank Darabont.
Anyone who has seen this Oscar-nominated film knows Frank Darabont likes to t-a-k-e h-i-s t-i-m-e. He certainly does the same in filling all three hours of his commentary track which he recorded over several sessions. Darabont has studied other DVDs and purposely does not repeat tidbits covered in the excellent new 90-minute documentary on author Stephen King and the making of the film. Other solid segments are two deleted scenes, a never-used teaser trailer, and Michael Duncan Clarke's screen test. The highlight is two remarkable tests of Tom Hanks in old-age makeup. Both are very credible, but it was decided to use another actor. The outcome is a DVD that puts the "special" back into the special edition. --Doug Thomas
$10.99



When Roman tribune Marcellus Gallio (Richard Burton) is sent to Jerusalem, one of his assignments is the crucifixion of Jesus Christ. Marcellus, a cynical and hardened man, wins the robe Jesus wore to the crucifixion while gambling with other Roman soldiers underneath the dying savior. He later becomes convinced that his hallucinations and violent outbursts are the result of a curse received from the robe, which is now in the possession of his escaped slave, Demetrius (Victor Mature), somewhere in the Middle East. He sets out to find Demetrius in order to destroy the robe and the curse and finds faith instead, converting to Christianity. This was the first movie to be filmed in CinemaScope, and won Oscars in 1953 for costume design, art direction, and set decoration. The visual aspects of the film are stunning, and it may be worth viewing for that alone; however, the script and acting leave much to be desired, and you won't find inspiration in these areas if that's what interests you. If, however, you are more interested in this film for its religious matter, the story of the conversion of the hardened Marcellus is inspiring. --James McGrath

by Michel Faber
$15.64

Average customer rating: 4.5 ISBN: 0151013144

by Anthony Bozza
$11.86

Average customer rating: 3.0 ISBN: 1400053803

by Eminem
$12.71

Average customer rating: 4.0 ISBN: 0060934514
Riverdance - The Show
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