Shaft (1971)

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Billy Jack


: :This time-capsule film from 1971 is a perfect example of having one's cake and eating it, too. Written and directed by filmmaker Tom Laughlin--and starring him in the title role--Billy Jack concerns a half-white, half-Indian karate expert who protects a free school built on principles of pacifism by kicking hell out of pesky rednecks. The story actually embraces that tension between Billy Jack's way of doing things and that of the school's founder (Delores Taylor), but their tension doesn't so much lead to an examination of principles as it leads to an excuse ...

starring: Tom Laughlin, Delores Taylor, Clark Howat, Julie Webb, David Roya
directed by: T. C. Frank



Crow


:Description:Catch the explosive, action-packed hit that thrilled moviegoers and dazzled critics everywhere! Brandon Lee (RAPID FIRE) plays Eric Draven, a young rock guitarist who, along with his fiancee, is brutally killed by a ruthless gang of criminals. Exactly one year after his death, Eric returns -- watched over by a hypnotic crow -- to seek revenge, battling the evil crime lord and his band of urban thugs, who must answer for their crimes. Loaded with intense, nonstop action and a hot #1 hit soundtrack, THE CROW delivers exhilarating, fast-paced entertainment! essential video:The ...

starring: Brandon Lee, Michael Wincott, Rochelle Davis, Ernie Hudson, Bai Ling
directed by: Alex Proyas



Caged Heat


: :The greatest women-in-prison film ever made, Caged Heat takes the traditional sex-and-violence formula of gorgeous babes behind bars, gratuitous nudity, and degradation at the hands of beastly guards and a corrupt system, and transforms it into rebel burst of grrrl power. Jonathan Demme's directorial debut, made for Roger Corman's New World Pictures in the glory days of 1970s drive-in moviemaking, wedges his message of empowerment in between the showers and the shock treatments. Russ Meyer alumnus Erica Gavin stars with tough cookie Juanita Brown as they lead the brassy set of cellblock babes ...

starring: Juanita Brown, Erica Gavin, Roberta Collins, Donald Heitzer, Mike Shack
directed by: Jonathan Demme



Easy Rider


: essential video:Two cool guys head out on motorcycles in search of... well, America, but they'll settle for sex and drugs and rock & roll. There's plenty of each as Captain America (Peter Fonda) and paranoid Billy (Dennis Hopper) encounter a commune, convert a small-town drunk (Jack Nicholson) to the Grin Reefer, pick up two pretty lilies of the alley, Karen Black and Toni Basil (who hit the pop charts in the '80s--check out 'Mickey'), and get shot for having long hair. Nicholson won an Oscar nomination and Best Supporting Actor nods from ...

starring: Luana Anders, Luke Askew, Robert Ball, Tita Colorado, Warren Finnerty



Big Doll House


: :Director Jack Hill, a protégé of the original schlockmeister, Roger Corman, knew his way around a low budget and a shocking subject. Women-in-prison films were nothing new in 1971, but The Big Doll House had it all--sex, violence, nudity, a sadistic guard, and a sexually frustrated warden--and served it up with an abundance of cheapjack energy and tongue-in-cheek humor. The beauty of Hill's movies lay in the way they could appeal not only to the hordes who would go see them at drive-ins but also to the true trash-cinema fans who could appreciate ...

starring: Judith M. Brown, Roberta Collins, Pam Grier, Brooke Mills, Pat Woodell
directed by: Jack Hill



Up in Smoke


: :Cheech & Chong's first cannabis comedy is also their best, a souvenir from the more carefree days before 'Just Say No,' when people did not feel so defensive about inhaling. In 1978, the prevailing spirit was more like 'Just Say Blow.' Even New Yorker film critic Pauline Kael liked it (the movie, that is), adding that it was 'an exploitation slapstick comedy, rather than a family picture, such as Blazing Saddles or High Anxiety--which means that it's dirtier, wilder, and sillier.' The story has to do with bumbling potheads Cheech & Chong searching ...

starring: Edie Adams, Marian Beeler, Pam Bille, Michael Caldwell (III), Tommy Chong
directed by: Tommy Chong, Lou Adler



The Final Programme


: :Cheech & Chong's first cannabis comedy is also their best, a souvenir from the more carefree days before 'Just Say No,' when people did not feel so defensive about inhaling. In 1978, the prevailing spirit was more like 'Just Say Blow.' Even New Yorker film critic Pauline Kael liked it (the movie, that is), adding that it was 'an exploitation slapstick comedy, rather than a family picture, such as Blazing Saddles or High Anxiety--which means that it's dirtier, wilder, and sillier.' The story has to do with bumbling potheads Cheech & Chong searching ...

starring: Jon Finch, Jenny Runacre, Hugh Griffith, Patrick Magee, Sterling Hayden
directed by: Robert Fuest



Big Bird Cage


: :Pam Grier and Sid Haig stole the show in Jack Hill's Filipino-women-in-prison hit The Big Doll House, and they pretty much power this superior action-packed semi-sequel as a South American Bonnie-and-Clyde team. The revolutionaries with mercenary hearts decide to liberate the inmates of a jungle women's prison at the urging of their lonely army of single men. All the conventions are there--scantily clad women, a deranged warden (so evil he kicks a puppy in his first scene!), catfights, the occasional kinky punishment, and of course all those showers. But Hill softens the usual ...

starring: Pam Grier, Anitra Ford, Candice Roman, Teda Bracci, Carol Speed
directed by: Jack Hill



Big Bad Mama


: :Angie Dickinson stars as a bank-robbing matriarch in this 1974 Roger Corman production, often described as a knock-off of Bonnie and Clyde. (As if that makes any difference regarding the worth of the film--which is pretty good.) Set in Great Depression-era Texas, the story finds Dickinson's desirable and poor character driven to crime, along with her two daughters (Susan Sennett, Robbie Lee), all of whom use sex to distract or drive men into culpability. The film, directed by Steve Carver, is pure Corman formula: fast-moving, violent, gritty, adorned with nudity, and yet solidly ...

starring: Angie Dickinson, William Shatner, Tom Skerritt, Susan Sennett, Robbie Lee
directed by: Steve Carver



Shaft (1971)


: essential video:Gordon Parks (The Learning Tree) directed this 1971 detective story about John Shaft (Richard Roundtree), an African American private eye who has a rocky relationship with cops, an even rockier one with Harlem gangsters, and a healthy sex life. The script finds Shaft tracking down the kidnapped daughter of a black mobster, but the pleasure of the film is the sum of its attitude, Roundtree's uncompromising performance, and the thrilling, Oscar-winning score by Isaac Hayes. Parks seems fond of certain detective genre clichés (e.g., the hero walking into his low-rent office ...

starring: Victor Arnold (II), Dominic Barto, Sherri Brewer, Drew Bundini Brown, Charles Cioffi





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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

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Shaft (1971)
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