Boito - Mefistofele / Arena, Ramey, Benackova, San Francisco Opera

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The Pirates of Penzance


: :When New York theatrical producer Joseph Papp decided to bring Gilbert and Sullivan to Broadway, he added typically broad, bold strokes to make their singular operetta format meaningful to 1980s audiences. In The Pirates of Penzance, Papp had a story that offered a mixture of potential action and comedy that was less arcane than other G&S chestnuts, which Papp's production underlined by playing up its antic conflict between its hapless, titular pirates and the citizens of Penzance, the Cornish town targeted for plunder. Adding to the new production's mainstream allure was the theatrical ...

starring: Kevin Kline, Angela Lansbury, Linda Ronstadt, George Rose, Rex Smith
directed by: Wilford Leach



Naughty Marietta


: :When New York theatrical producer Joseph Papp decided to bring Gilbert and Sullivan to Broadway, he added typically broad, bold strokes to make their singular operetta format meaningful to 1980s audiences. In The Pirates of Penzance, Papp had a story that offered a mixture of potential action and comedy that was less arcane than other G&S chestnuts, which Papp's production underlined by playing up its antic conflict between its hapless, titular pirates and the citizens of Penzance, the Cornish town targeted for plunder. Adding to the new production's mainstream allure was the theatrical ...

starring: Jeanette MacDonald, Nelson Eddy, Frank Morgan, Elsa Lanchester, Douglass Dumbrille
directed by: Robert Z. Leonard, W.S. Van Dyke



Verdi - La Traviata / Levine, Stratas, Domingo


: :When New York theatrical producer Joseph Papp decided to bring Gilbert and Sullivan to Broadway, he added typically broad, bold strokes to make their singular operetta format meaningful to 1980s audiences. In The Pirates of Penzance, Papp had a story that offered a mixture of potential action and comedy that was less arcane than other G&S chestnuts, which Papp's production underlined by playing up its antic conflict between its hapless, titular pirates and the citizens of Penzance, the Cornish town targeted for plunder. Adding to the new production's mainstream allure was the theatrical ...

starring: Teresa Stratas, Plácido Domingo, Cornell MacNeil, Allan Monk, Pina Cei
directed by: Franco Zeffirelli



Gilbert & Sullivan - The Mikado (1966 D'Oyly Carte)


: :This 1966 film version of The Mikado from the D'Oyly Carte Opera Company exemplifies that group's approach to its resident gods. If you're familiar with the company's classic Gilbert and Sullivan recordings from the same period, you'll recognize the style (and many of the performers). Beautifully sung, articulated with lavish care, the production is so measured it suffocates the comedy. The reverent pacing has the aura of something dictated by ancient tradition, as if we're watching Kabuki. Yet that gives it a campy charm. Though made for the screen, this version derives closely ...

starring: Donald Adams, Philip Potter, John Reed, Kenneth Sandford, Thomas Lawlor
directed by: Stuart Burge



La Boheme: Puccini, Gardelli, Cotrubas, Shicoff, Royal Opera Covent Garden (With 55-page Booklet)


:Description:Puccini's great operatic masterpiece is a tragic love story and one of the best loved works of its kind throughout the world. It is set in the Latin Quarter of Paris among the Bohemian students whose hectic gaiety only partially masks the despair and pain that threaten their lives. With its stark contrasts of lively humour and poignant tragedy, La Boheme is one of Puccini's most immediate and compelling works. This spectacular Royal Opera House production stars Ileana Cotrubas and Neil Shicoff as Mimi and Rodolfo in Puccini's tragic love story. :This full-blooded ...

starring: Ileana Cotrubas, Neil Shicoff, Marilyn Zschau, Thomas Allen, Gwynne Howell
directed by: Brian Large



Offenbach - La Vie Parisienne / Ossonce, DeLavault, Opera National de Lyon


: :Offenbach's melodious extravaganza is essentially a celebration of Paris as a tourist trap, a background for attempted seductions, and a fertile source of routine flim-flams. This 1991 Opera National de Lyon production, emanating from one of Paris's chief rivals among French cities, focuses gleefully on the sordid aspects of the City of Lights, but its strongest appeal is in the quality of the singing and dancing. The opening scene of La Vie Parisienne takes place in a railroad station around the year 1860; tourists are pouring in from all parts of the world, ...

starring: Hélène Delavault, Claire Wauthion, Isabelle Mazin, Jean-Yves Chatelais, Jean-Francois Sivadier
directed by: Pierre Cavassilas



Meyerbeer - Les Huguenots / Bonynge, Sutherland, Thane, Australian Opera


: :Offenbach's melodious extravaganza is essentially a celebration of Paris as a tourist trap, a background for attempted seductions, and a fertile source of routine flim-flams. This 1991 Opera National de Lyon production, emanating from one of Paris's chief rivals among French cities, focuses gleefully on the sordid aspects of the City of Lights, but its strongest appeal is in the quality of the singing and dancing. The opening scene of La Vie Parisienne takes place in a railroad station around the year 1860; tourists are pouring in from all parts of the world, ...

starring: Joan Sutherland, Anson Austin, Sergei Baigildin, Stephen Bennett, Jennifer Bermingham
directed by: Virginia Lumsden



Rossini - Semiramide / Conlon, Anderson, Horne, Metropolitan Opera


: :Bel canto can be translated as 'pretty singing,' and that definition seems tailor-made for this production, which offers grace, charm, and a fine-tuned sense of style in abundance to compensate for its limited psychological and emotional impact. The four principal singers are all specialists in the bel canto style, and this opera has played a key role in building their substantial reputations. Their singing is more spectacular than their acting, but that is what bel canto is all about. Those who want gut-wrenching situations and passionate emoting should try the verismo style. Meanwhile, ...

starring: June Anderson, Marilyn Horne, Stanford Olsen, Samuel Ramey, Young-Ok Shin
directed by: Brian Large



Verdi - La Traviata / Patane, Moffo, Bonisolli, Rome Opera House


: :Musically, this is a quite satisfactory Traviata. Visually and sonically, it has a few small problems (pre-digital sound, imperfect tape splices, moments of imprecise lip-synchronization), but it can be recommended for those who enjoy less-than-perfect historic recordings. Anna Moffo was an endearing Violetta, and her identification with the role is lovingly captured by director Mario Lanfranchi, who was her husband, with charming close-ups and detailed attention to her body language. Giuseppe Patane was one of the best Italian opera conductors of his generation, and he treats Verdi's masterpiece with stylistic sensitivity allied to ...

starring: Anna Moffo, Gino Bechi, Franco Bonisolli, Glauco Scarlini, Athos Cesarini
directed by: Mario Lanfranchi



Boito - Mefistofele / Arena, Ramey, Benackova, San Francisco Opera


: :Arrigo Boito's treatment of the Faust legend has never been as popular as Gounod's, but Boito was an imaginative composer and a great librettist (he wrote the words for Verdi's Otello and Falstaff, the two finest librettos in Italian opera). As the title suggests, his Mefistofele puts the spotlight on the diabolical villain of the story at least as much as its hapless hero. It is a role ideally suited to Samuel Ramey, requiring a rich, deep voice, a striking stage presence, and only elementary acting skills. He has taken it to most ...

starring: Samuel Ramey, Gabriela Benacková, Dennis O'Neill, Judith Christin, Daniel Harper
directed by: Brian Large





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$10.99



You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam Graham
$9.99



The teaming of Johnny Knoxville (Jackass: The Movie) and Seann William Scott (Dude, Where's My Car?) as well as the presence of the '70s-flavored car chases that were a specialty of the TV series guarantees that The Dukes of Hazzard will be even more lowbrow than the CBS TV series (1979-85) that inspired it. However, this brain-damaging comedy is more "rehash" than "remake," as good ol' Georgiaboys Luke Duke (Knoxville) and his cousin Bo (Scott) are frequently upstaged bythe General Lee, the Confederate-flagged '69 Charger that they drive, jump, race, and fly in as they smuggle moonshine for their Uncle Jesse (Willie Nelson). Meanwhile, cousin Daisy Duke (Jessica Simpson) is reliably available to model her short-shorts (aka "Daisy Dukes") and awesome figure (and let's face it, Simpson's talents pretty much begin and end right there), while corrupt honcho Boss Hogg (Burt Reynolds, who should know better) recruits a local NASCAR star to advance his wily scheme of converting Hazzard County into a strip mine. Director Jay Chandrasekhar (Super Troopers) manages to mine some good-natured humor from the movie's oval-track detour and a few colorful supporting players (notably Kevin Hefferman as the Duke's pal Sheev). Otherwise, consider yourself warned: The Dukes of Hazzard is shameless Hollywood product at its most forgettable, trafficking in shameless white, rural Southern stereotypes. If you can make itto the end, there's a blooper reel to reward your endurance. --Jeff Shannon

DVD features
Yes, the unrated edition of The Dukes of Hazzard has nudity... but no, it's not of Jessica Simpson, but topless sorority girls. There are also two sets--"PG-13" and "unrated"--of deleted scenes and bloopers. The four minutes of unrated deleted scenes (supplementing the 25 minutes of "PG-13" deleted scenes) include more sorority girls and a menage à trois for Johnny Knoxville . The five minutes of unrated bloopers (the same amount as the "PG-13" bloopers) feature a few more girls but mostly bad language. Featurettes discuss the Daisy Duke short shorts (and show how you can make your own), car stunts, and the making of the movie (narrated by a cast member of the original TV series). --David Horiuchi


by Michael-Anne Jones, Marie Morrale

Average customer rating: 4.5 ISBN: 0590024493

by Barbara Hanson

Average customer rating: ISBN: 1560323469

by Matt Netter, Nancy E. Krulik, Jill Matthews

Average customer rating: 3.5 ISBN: 0671713841
$13.57

Steve McCurry

Boito - Mefistofele / Arena, Ramey, Benackova, San Francisco Opera
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