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Sex and the City - The Complete Second Season


: :This collection of the entire second season (18 episodes) of the award-winning HBO comedy series continues the outrageous look at dating, mating, and relating in New York City. :A smart and savvy (albeit highly stylized) look at the single lives of four thirtysomething Manhattan women, Sex and the City: The Complete Second Season builds on the foundation of its first season with plot arcs that are both hilarious and heartfelt, taking the show from breakout hit to true pop-culture phenomenon. Relationship epiphanies coexist happily alongside farcical plots and zingy one-liners, resulting in ...

starring: Sex & the City
directed by: Various



No, Honestly - Set 1


: :Anglophiles and Britcom aficionados will welcome the video of this delightful 1974 series based on the books by Charlotte Bingham. Happily, the sparkling dialogue and engaging characters wear much better than the actors' horribly dated '70s wardrobes. John Alderton and his real-life wife, Pauline Collins, star as C.D. and Clara, the George Burns and Gracie Allen of Hampstead, right down to the 'Say goodnight, Clara' that closes each episode. This boxed set contains the first seven episodes of the series. Episode 1 sets the stage as C.D. and Clara, who have been married, Clara notes, ...

starring: John Alderton, Pauline Collins, James Berwick, Kenneth Benda
directed by: Bill Turner



Sex and the City - The Complete First Season


: :A collection of the entire first season (12 episodes) of the award-winning HBO comedy series that takes an outrageous look at dating, mating, and relating in New York City. :Now you can achieve multiple viewings of the best Sex on TV. Winner of Golden Globes for Best TV Series and Best Actress, Sex and the City is based on Candace Bushnell's provocative bestselling book. Sarah Jessica Parker stars as Carrie Bradshaw, a self-described 'sexual anthropologist,' who writes 'Sex and the City,' a newspaper column that chronicles the state of sexual affairs of ...

starring: Sex & the City
directed by: Various



The Road to Collection: (Road to Morocco / Road to Singapore / Road to Utopia / Road to Zanzibar)


: :Road to Singapore Here's the first trip in what would become one of Paramount Pictures' most profitable film series of the '40s. When this comedy was released in 1940, Bing Crosby and Bob Hope had separately achieved stardom, though Crosby was an established power and Hope still a hot comedian new to movies. In fact, Hope is billed third in Road to Singapore, below Der Bingle and Dorothy Lamour. The script establishes what would be a constant in the Road series: a ramshackle plot, a handful of songs, and plenty of irreverent banter ...

starring: Bing Crosby, Bob Hope, Dorothy Lamour, Anthony Quinn, Dona Drake
directed by: David Butler, Hal Walker, Victor Schertzinger



The Rock Hudson & Doris Day Collector's Set


: :Road to Singapore Here's the first trip in what would become one of Paramount Pictures' most profitable film series of the '40s. When this comedy was released in 1940, Bing Crosby and Bob Hope had separately achieved stardom, though Crosby was an established power and Hope still a hot comedian new to movies. In fact, Hope is billed third in Road to Singapore, below Der Bingle and Dorothy Lamour. The script establishes what would be a constant in the Road series: a ramshackle plot, a handful of songs, and plenty of irreverent banter ...

starring: Rock Hudson, Doris Day, Tony Randall, Thelma Ritter, Nick Adams
directed by: Delbert Mann, Michael Gordon, Norman Jewison



Back to the Future Trilogy (includes 'the secrets of the trilogy')


: :Road to Singapore Here's the first trip in what would become one of Paramount Pictures' most profitable film series of the '40s. When this comedy was released in 1940, Bing Crosby and Bob Hope had separately achieved stardom, though Crosby was an established power and Hope still a hot comedian new to movies. In fact, Hope is billed third in Road to Singapore, below Der Bingle and Dorothy Lamour. The script establishes what would be a constant in the Road series: a ramshackle plot, a handful of songs, and plenty of irreverent banter ...

starring: Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover



The Honeymooners - The Lost Episodes


:Description:A 12-volume set including 22 sketches (Volumes 29-39) plus one volume entitled 'The History of the Lost Episodes: The First Season.' These previously missing episodes were found by Jackie Gleason in 1984 and have not been seen since their original broadcast in the 1950s.

starring: Honeymooners



The Very First Jeeves & Wooster Box Set


:Description:Bertie Wooster is feeling a bit shy of the mark when his new valet reports for duty, bringing with him a much-needed cure for the effects of the previous night’s excesses. On the strength of this sterling debut, Jeeves is formally retained, and the unsuspecting servant is thrown headlong into the glorious mix of overbearing aunts, unbidden guests, friends in need and romantic entanglements that is Bertie’s lot in life. Brilliantly adapted from P.G. Wodehouse's beloved stories, JEEVES & WOOSTER stars Stephen Fry (Wilde) as the peerless 'gentleman’s gentleman' and Hugh Laurie (Sense ...

starring: Stephen Fry, Hugh Laurie



No, Honestly - Set 2


: :Real-life spouses John Alderton and Pauline Collins return as C.D. and Clara, the Burns and Allen of Hampstead, in the final six episodes of this beloved, albeit a tad dated, 1975 British comedy. The first seven episodes, collected in the first set, recalled the comically confused courtship of this mismatched but star-crossed couple. In these episodes, C.D., an actor, and Clara, a children's book writer, flash back on their first year of marriage. Not to worry: unlike, say, Mad About You, this is no parsing of the minutiae of husband-wife relations. Clara is ...

starring: John Alderton, Pauline Collins, James Berwick, Kenneth Benda
directed by: Bill Turner



The Breakfast Club/16 Candles


: :Real-life spouses John Alderton and Pauline Collins return as C.D. and Clara, the Burns and Allen of Hampstead, in the final six episodes of this beloved, albeit a tad dated, 1975 British comedy. The first seven episodes, collected in the first set, recalled the comically confused courtship of this mismatched but star-crossed couple. In these episodes, C.D., an actor, and Clara, a children's book writer, flash back on their first year of marriage. Not to worry: unlike, say, Mad About You, this is no parsing of the minutiae of husband-wife relations. Clara is ...

starring: Mary Christian, Perry Crawford, Ron Dean, Emilio Estevez, Tim Gamble





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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.





$22.99



Stephen Sondheim's Victorian horror thriller Sweeney Todd: The Demon Barber of Fleet Street is generally considered his greatest work, macabre but darkly humorous with a viscerally powerful score that has found a home both on Broadway and in opera houses. George Hearn (who replaced Len Cariou of the original Broadway cast) plays the title character, a wronged man whose lust for revenge drives him to murder (an 18th-century legend who has been traced to a real-life barber), and Angela Lansbury plays his partner in crime, Mrs. Lovett, who finds a practical business use for Todd's victims. This combination of horror and humor is echoed in Sondheim's score: brooding menace ("The Ballad of Sweeney Todd," "My Friend"), achingly beautiful ballads ("Johanna," "Not While I'm Around"), clever puns ("A Little Priest"), coloratura arias ("Green Finch and Linnet Bird"), and intricate choral and ensemble numbers.

Continuing a fortuitous tradition of capturing the Sondheim legacy on video recordings, this performance was filmed before a live audience in Los Angeles during the 1982 national tour. Almost 20 years later, Hearn returned to the role opposite Patti LuPone in an acclaimed concert production. But Sweeney Todd is an especially compelling experience in this 1982 version, complete with the clever staging tricks (e.g., the barber's chair) and as close to the original cast as we're likely to see. --David Horiuchi

$9.99



A guilty, guilty pleasure, perhaps not one a left-wing feminist should be admitting to in public. Female boomers should recall yearly TV reruns of this Rodgers and Hammerstein production, featuring such delights as "Impossible" and "Do I Love You Because You're Beautiful?" It may appear a bit stark to younger viewers, but part of the charm of this 1964 network TV special, a remake of the live 1957 telecast originally built around Julie Andrews, is its utter simplicity. An extremely young Lesley Ann Warren and Stuart Damon (of General Hospital fame) are joined by Ginger Rogers, Walter Pidgeon, and Celeste Holm. Warren is all sweetness and innocence without a hint of saccharine artificiality, while Damon is a clear-eyed romantic. This very handsome love story is a bit of an oddity, but worth owning just for the memorable score. --Rochelle O'Gorman
$9.49



John Waters made his bid for PG respectability with this enjoyably trashy comedy about the racial integration of a teen dance show on Baltimore television in the early '60s. Waters, as always, makes a virtue of junk culture and the powerful emotional forces it can represent as kids vie to get on the show. Meanwhile, a parade of former stars (Pia Zadora, Debbie Harry, Sonny Bono) and pseudostars (Divine, Ricki Lake) cross the screen, playing freakish characters absorbed by thoughts of fame. (Waters himself turns up as a weirdo psychiatrist.) This transitional film for Waters is rough going at times and not as interesting or funny as his later features Cry-Baby and Serial Mom, but it's worth a look. --Tom Keogh

by Christina Aguilera
$13.57

Average customer rating: ISBN: 1423422597

by Pier Dominguez
$11.01

Average customer rating: 4.0 ISBN: 0970222459

by Mary Jo Lemmens
$22.95

Average customer rating: ISBN: 1422202852
$14.99



Martina McBride has long been a champion of music as social consciousness, particularly for abused women ("Independence Day") and children. On Waking Up Laughing, her ninth album and the follow-up to Timeless, her platinum-selling album of country classics, she advances the theme while expanding it. While two songs explore the issue of unwed mothers (particularly the exquisite "Love Land," which closes the album), and another, "Beautiful Again," touches on child sexual abuse, her overall repertoire embraces the wholeness of family, and of standing strong together in the face of adversity and defeat. Musically, McBride has always proved to be an elegant thorn--her song selection is often inspired (and here, she co-wrote three tunes, including the skyscraping single "Anyway"), but she has tended to use her huge, ride-the-wave soprano full-tilt, without employing the subtle shadings that would make her even more emotionally resonant. On Waking Up Laughing she seems to have worked on the problem, yet in her second foray as solo producer, she still tends to gild the lily instrumentally--inflating string bridges between choruses, for example, or loading the opening country-pop track, "If I Had Your Name," with a Southern-rock guitar break, a listen-to-me fiddle showcase, a Celtic guitar intro, and a close that brings to mind George Harrison's sitar in play-it-backward mode. That said, she makes fine use of what sounds like a black female choir on the uplifting "For These Times," and wisely keeps the haunting break-up ballad "Tryin' to Find a Reason" (with Keith Urban's harmony vocals and guitar solo) lean and affecting. As McBride works to refine her pastiche of creativity, commerciality, and social awareness, she slyly takes more chances than one might think, all the while rallying old fans and making new ones. --Alanna Nash
$10.99



For right-minded buyers of the reissued Muppet Christmas Carol soundtrack, the odds of disappointment are about as remote as Miss Piggy's chances with Kermit. If you loved the movie, you will love the loopy mayhem of the Muppet Brass Buskers ("Good King Wenceslas"), the cartoonish malice of the black-hearted misanthropes Marley & Marley ("Marley & Marley"), and the hope-swollen harmonies of Tiny Tim and Family ("Bless Us All"), Muppeted here to hilariously humble effect. If, on the other hand, your interest in this disc has more to do with its inclusion in the way-narrow Christmas-record-for-kids category--if the spirit of the season doesn't extend, for you, to the magic of the Muppets--you may want to keep browsing, as it's a soundtrack first (overture, instrumentals, and all) and a Christmas CD second. That's not to suggest you're stuck with an un-fun disc should it land on your holiday stack without a prior screening, though. Miles Goodman's score sweeps and inspires, and certain tracks--"One More Sleep 'til Christmas" and "Fozziwig's Party"--are future classics. (Note to the right-minded: After a misstep on the original release, Martina McBride's version of "When Love is Gone" is back.) -Tammy La Gorce
The Breakfast Club/16 Candles
Shopping  Created at Thu Dec 4 21:28:23 2008