Blake's 7, Vol. 21 - Power / Traitor

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Richard Simmons Sweatin' to the Oldies


: :Richard Simmons is the king of motivational exercise, especially if you're a beginner. This video workout is a dance party simulating a class reunion, with an energizing live band playing lively hits from the '50s and '60s, such as 'It's My Party and I'll Cry If I Want To,' 'Great Balls of Fire,' and 'Dancing in the Streets.' The singers and musicians sometimes come offstage and dance with the exercisers, adding to the energy and festivity. The choreography is very simple, low impact, light intensity, and appropriate for beginners and overweight exercisers. (You ...

starring: Richard Simmons, Sally Knyvette, Paul Darrow, Jan Chappell, Michael Keating
directed by: E.H. Shipley



Flirtation Walk


: :Richard Simmons is the king of motivational exercise, especially if you're a beginner. This video workout is a dance party simulating a class reunion, with an energizing live band playing lively hits from the '50s and '60s, such as 'It's My Party and I'll Cry If I Want To,' 'Great Balls of Fire,' and 'Dancing in the Streets.' The singers and musicians sometimes come offstage and dance with the exercisers, adding to the energy and festivity. The choreography is very simple, low impact, light intensity, and appropriate for beginners and overweight exercisers. (You ...

starring: Dick Powell, Ruby Keeler, Pat O'Brien, Ross Alexander, John Arledge
directed by: Frank Borzage



Goodfellas


: essential video:Martin Scorsese's 1990 masterpiece GoodFellas immortalizes the hilarious, horrifying life of actual gangster Henry Hill (Ray Liotta), from his teen years on the streets of New York to his anonymous exile under the Witness Protection Program. The director's kinetic style is perfect for recounting Hill's ruthless rise to power in the 1950s as well as his drugged-out fall in the late 1970s; in fact, no one has ever rendered the mental dislocation of cocaine better than Scorsese. Scorsese uses period music perfectly, not just to summon a particular time but to ...

starring: Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco, Paul Sorvino
directed by: Martin Scorsese



Lord Peter Wimsey - Murder Must Advertise


: :'There is something going on in the organization that is very undesirable and might lead to serious consequences,' reads a note that the ill-fated Victor Dean wrote to his superior just before he took a fatal fall down the metal staircase at Pym's Publicity Ltd. These darned suspicious circumstances lead Pym to hire Lord Peter Wimsey to determine whether Dean's death was an accident or murder or eh, what? Ian Carmichael returns in his signature role as Dorothy L. Sayers's aristocratic sleuth in this characteristically impeccable 1973 BBC miniseries. The chaotic advertising agency ...

starring: Ian Carmichael, Mark Eden, Rachel Herbert, Peter Pratt, Robin Bailey
directed by: Rodney Bennett



Queen of Outer Space


:Description:'A must for all B-movie fanatics' (Video Movie Guide) Male astronauts crash-land on an all-female planet Venus. Zsa Zsa Gabor's most famous movie role. Year: 1958 Director: Edward Bernds Starring: Zsa Zsa Gabor, Eric Fleming, Dave Willock

starring: Zsa Zsa Gabor, Eric Fleming, Dave Willock, Laurie Mitchell, Lisa Davis
directed by: Edward Bernds



GoodFellas


: essential video:Martin Scorsese's 1990 masterpiece GoodFellas immortalizes the hilarious, horrifying life of actual gangster Henry Hill (Ray Liotta), from his teen years on the streets of New York to his anonymous exile under the Witness Protection Program. The director's kinetic style is perfect for recounting Hill's ruthless rise to power in the 1950s as well as his drugged-out fall in the late 1970s; in fact, no one has ever rendered the mental dislocation of cocaine better than Scorsese. Scorsese uses period music perfectly, not just to summon a particular time but to ...

starring: Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco, Paul Sorvino
directed by: Martin Scorsese



Mickey Blue Eyes


: :Mickey Blue Eyes was crafted as a vehicle for the stammering British charm of Hugh Grant (star of Four Weddings and a Funeral and Nine Months), so whether or not you like the movie will depend heavily on your affection for Grant. He plays an art auctioneer who falls in love with schoolteacher Jeanne Tripplehorn (Basic Instinct, Very Bad Things), who just happens to be the daughter of mobster James Caan (The Godfather, Misery). To protect Grant, Tripplehorn tries to fend off his proposal of marriage, but some miscommunications lead to Grant being ...

starring: Hugh Grant, Jeanne Tripplehorn, James Caan, Burt Young, James Fox
directed by: Kelly Makin



Blake's 7 Volume 23: Headhunter/Assassin


: :Mickey Blue Eyes was crafted as a vehicle for the stammering British charm of Hugh Grant (star of Four Weddings and a Funeral and Nine Months), so whether or not you like the movie will depend heavily on your affection for Grant. He plays an art auctioneer who falls in love with schoolteacher Jeanne Tripplehorn (Basic Instinct, Very Bad Things), who just happens to be the daughter of mobster James Caan (The Godfather, Misery). To protect Grant, Tripplehorn tries to fend off his proposal of marriage, but some miscommunications lead to Grant being ...

starring: Michael Keating, Paul Darrow, Peter Tuddenham, Jan Chappell, Jacqueline Pearce
directed by: Brian Lighthill, Viktors Ritelis, Vivienne Cozens



Penmarric Part One


: :Mickey Blue Eyes was crafted as a vehicle for the stammering British charm of Hugh Grant (star of Four Weddings and a Funeral and Nine Months), so whether or not you like the movie will depend heavily on your affection for Grant. He plays an art auctioneer who falls in love with schoolteacher Jeanne Tripplehorn (Basic Instinct, Very Bad Things), who just happens to be the daughter of mobster James Caan (The Godfather, Misery). To protect Grant, Tripplehorn tries to fend off his proposal of marriage, but some miscommunications lead to Grant being ...

starring: Martin C. Thurley, Lesley Dunlop, Angela Scoular, Nick Brimble, Paul Darrow
directed by: Tina Wakerell, Derek Martinus



Blake's 7, Vol. 21 - Power / Traitor


: :Mickey Blue Eyes was crafted as a vehicle for the stammering British charm of Hugh Grant (star of Four Weddings and a Funeral and Nine Months), so whether or not you like the movie will depend heavily on your affection for Grant. He plays an art auctioneer who falls in love with schoolteacher Jeanne Tripplehorn (Basic Instinct, Very Bad Things), who just happens to be the daughter of mobster James Caan (The Godfather, Misery). To protect Grant, Tripplehorn tries to fend off his proposal of marriage, but some miscommunications lead to Grant being ...

starring: Michael Keating, Paul Darrow, Peter Tuddenham, Jan Chappell, Jacqueline Pearce
directed by: Brian Lighthill, Viktors Ritelis, Vivienne Cozens





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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.





$22.99



Stephen Sondheim's Victorian horror thriller Sweeney Todd: The Demon Barber of Fleet Street is generally considered his greatest work, macabre but darkly humorous with a viscerally powerful score that has found a home both on Broadway and in opera houses. George Hearn (who replaced Len Cariou of the original Broadway cast) plays the title character, a wronged man whose lust for revenge drives him to murder (an 18th-century legend who has been traced to a real-life barber), and Angela Lansbury plays his partner in crime, Mrs. Lovett, who finds a practical business use for Todd's victims. This combination of horror and humor is echoed in Sondheim's score: brooding menace ("The Ballad of Sweeney Todd," "My Friend"), achingly beautiful ballads ("Johanna," "Not While I'm Around"), clever puns ("A Little Priest"), coloratura arias ("Green Finch and Linnet Bird"), and intricate choral and ensemble numbers.

Continuing a fortuitous tradition of capturing the Sondheim legacy on video recordings, this performance was filmed before a live audience in Los Angeles during the 1982 national tour. Almost 20 years later, Hearn returned to the role opposite Patti LuPone in an acclaimed concert production. But Sweeney Todd is an especially compelling experience in this 1982 version, complete with the clever staging tricks (e.g., the barber's chair) and as close to the original cast as we're likely to see. --David Horiuchi

$9.99



A guilty, guilty pleasure, perhaps not one a left-wing feminist should be admitting to in public. Female boomers should recall yearly TV reruns of this Rodgers and Hammerstein production, featuring such delights as "Impossible" and "Do I Love You Because You're Beautiful?" It may appear a bit stark to younger viewers, but part of the charm of this 1964 network TV special, a remake of the live 1957 telecast originally built around Julie Andrews, is its utter simplicity. An extremely young Lesley Ann Warren and Stuart Damon (of General Hospital fame) are joined by Ginger Rogers, Walter Pidgeon, and Celeste Holm. Warren is all sweetness and innocence without a hint of saccharine artificiality, while Damon is a clear-eyed romantic. This very handsome love story is a bit of an oddity, but worth owning just for the memorable score. --Rochelle O'Gorman
$9.49



John Waters made his bid for PG respectability with this enjoyably trashy comedy about the racial integration of a teen dance show on Baltimore television in the early '60s. Waters, as always, makes a virtue of junk culture and the powerful emotional forces it can represent as kids vie to get on the show. Meanwhile, a parade of former stars (Pia Zadora, Debbie Harry, Sonny Bono) and pseudostars (Divine, Ricki Lake) cross the screen, playing freakish characters absorbed by thoughts of fame. (Waters himself turns up as a weirdo psychiatrist.) This transitional film for Waters is rough going at times and not as interesting or funny as his later features Cry-Baby and Serial Mom, but it's worth a look. --Tom Keogh

by Christina Aguilera
$13.57

Average customer rating: ISBN: 1423422597

by Pier Dominguez
$11.01

Average customer rating: 4.0 ISBN: 0970222459

by Mary Jo Lemmens
$22.95

Average customer rating: ISBN: 1422202852
$14.99



Martina McBride has long been a champion of music as social consciousness, particularly for abused women ("Independence Day") and children. On Waking Up Laughing, her ninth album and the follow-up to Timeless, her platinum-selling album of country classics, she advances the theme while expanding it. While two songs explore the issue of unwed mothers (particularly the exquisite "Love Land," which closes the album), and another, "Beautiful Again," touches on child sexual abuse, her overall repertoire embraces the wholeness of family, and of standing strong together in the face of adversity and defeat. Musically, McBride has always proved to be an elegant thorn--her song selection is often inspired (and here, she co-wrote three tunes, including the skyscraping single "Anyway"), but she has tended to use her huge, ride-the-wave soprano full-tilt, without employing the subtle shadings that would make her even more emotionally resonant. On Waking Up Laughing she seems to have worked on the problem, yet in her second foray as solo producer, she still tends to gild the lily instrumentally--inflating string bridges between choruses, for example, or loading the opening country-pop track, "If I Had Your Name," with a Southern-rock guitar break, a listen-to-me fiddle showcase, a Celtic guitar intro, and a close that brings to mind George Harrison's sitar in play-it-backward mode. That said, she makes fine use of what sounds like a black female choir on the uplifting "For These Times," and wisely keeps the haunting break-up ballad "Tryin' to Find a Reason" (with Keith Urban's harmony vocals and guitar solo) lean and affecting. As McBride works to refine her pastiche of creativity, commerciality, and social awareness, she slyly takes more chances than one might think, all the while rallying old fans and making new ones. --Alanna Nash
$10.99



For right-minded buyers of the reissued Muppet Christmas Carol soundtrack, the odds of disappointment are about as remote as Miss Piggy's chances with Kermit. If you loved the movie, you will love the loopy mayhem of the Muppet Brass Buskers ("Good King Wenceslas"), the cartoonish malice of the black-hearted misanthropes Marley & Marley ("Marley & Marley"), and the hope-swollen harmonies of Tiny Tim and Family ("Bless Us All"), Muppeted here to hilariously humble effect. If, on the other hand, your interest in this disc has more to do with its inclusion in the way-narrow Christmas-record-for-kids category--if the spirit of the season doesn't extend, for you, to the magic of the Muppets--you may want to keep browsing, as it's a soundtrack first (overture, instrumentals, and all) and a Christmas CD second. That's not to suggest you're stuck with an un-fun disc should it land on your holiday stack without a prior screening, though. Miles Goodman's score sweeps and inspires, and certain tracks--"One More Sleep 'til Christmas" and "Fozziwig's Party"--are future classics. (Note to the right-minded: After a misstep on the original release, Martina McBride's version of "When Love is Gone" is back.) -Tammy La Gorce
Blake's 7, Vol. 21 - Power / Traitor
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