Quatermass Xperiment

VHS : Quatermass Xperiment

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Quatermass Xperiment

starring: Brian Donlevy, Jack Warner, Margia Dean, Thora Hird, Gordon Jackson
directed by: Val Guest




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Your Price: $17.98
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Average Rating:  out of 5 stars
Sales Rank: 11771







Audience Rating: Unrated
Binding: VHS Tape
EAN: 9780792847809
Format: Black & White, Closed-captioned, Original recording reissued, NTSC
ISBN: 0792847806
Label: MGM (Video & DVD)
Manufacturer: MGM (Video & DVD)
Number Of Items: 1
Publisher: MGM (Video & DVD)
Release Date: December 05, 2000
Running Time: 78 minutes
Sales Rank: 11771
Studio: MGM (Video & DVD)
Theatrical Release Date: 1956-06




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Customer Reviews
Average Rating:  out of 5 stars

Rating: 4 out of 5 stars - Creeping Unknown
I have waited years to see this movie again. Of course, it's not as creepy as I remembered it but I still enjoyed it. A must addition to my sci fi collection.





Rating: 4 out of 5 stars - Three Astronauts Never Knew What Was In Space . . . And What It Would Do To Them
* Released in 1955, \"Quatermass Xperiment\" is a creepy, horrifying masterpiece of science fiction. What is the Quatermass Experiment? Professor Barnard Quatermass sends three British astronauts into the far reaches of the galaxy for observations. Their rocket crash lands on earth and only one astronaut, Victor Caroon, remains on board. Empty space suits of the other two are immediately found. Escaping from the hospital, Caroon attacks and absorbs plants, animals, and humans. Each time he feeds, he mutates into a creature that is a composite of all its victims until it finally resembles a shapeless glob with numerous tentacles.

Brian Donlevy does a superb job as Quatermass. However, in \"Quatermass Xperiment,\" Quatermass is more ruthless and less compassionate than his character in \"Quatermass and the Pit.\" He is obsessed with the progress of science no matter the cost of human lives. The disaster with the first rocket mission is barely over before he begins planning another. I was more fond of the Professor Quatermass from \"Quatermass and the Pit.\" I wished he had been in this film.

\"Quatermass Xperiment\" was such a big success that it gave Hammer Production enough money to finance the gothic horror films that came later. If only \"Quatermass Xperiment\" had been made in color like \"The Curse of Frankenstein\" or \"Horror of Dracula.\" It would have been incredible.

The pacing of the movie is quite good; it is never boring. The special effects were excellent for that time; the victims'' corpses, especially their faces, were gruesome. However, a higher body count would've been nice.

\"Quatermass Xperiment\" was definitely an influence on \"The Blob,\" which was released in 1957 and starred Steve McQueen. It also influenced the mutating monsters that were found in such modern hits as \"Relic\" and \"Resident Evil.\"

I enjoyed \"Quatermass Xperiment\" so much that I watched it twice in a roll. It is must have for fans of Hammer Production and fans of science fiction horror.
...



Rating: 5 out of 5 stars - where's the Region 1 DVD???
As a teenager in the 1950's I discovered Hammer Films British Horror and Sci-Fi and have joyfully collected the DVD re-issues. Anchor Bay has done a wonderful job with great source material but where is this total classic?? The 2nd Quatermass film has been out for some time in America, Australia and Europe have released the first film in their DVD own formats, so why not in the U S of A???? Although a product of its time the suspense, moody black and white photography and decent make-up effects result in a lot of fun for the viewer who isn't spoiled by today's multi-million dollar gross-out clunkers.



Rating: 5 out of 5 stars - A Classic Science Fiction Film
* Before a little British company called Hammer became famous for Dracula and Frankenstein, there were the adventures of Professor Bernard Quatermass. Based on the live BBC serial from 1953, The Quatermass Xperiment put Hammer on the film world map. How that happened it obvious from this tense, realistic, and gritty science fiction classic.

The film is immensely helped by an excellent cast. Brian Donlevy's Quatermass is the archetype science fiction film scientist: a scientist obsessed with their quest for science before turning having to deal with the consequences of that quest. Donlevy plays Quatermass to perfection as a scientist who is both horrified and fascinated by the events he has set in motion. It's a strong performance filled with realism. fascination and horror. The cast also includes terrific performances from Jack Warner as Scotland Yard's Inspector Lomax, Margia Dean who takes the potentially clichéd Judith Carroon and puts flesh and blood on the character, and David King-Wood as Quatermass's fellow scientist Doctor Briscoe. The best performance of the film may well be from the character who never speaks: Richard Wordsworth as Victor Carroon. Wordsworth perfectly plays both the horror of the lone surviving astronaut and also sympathy as the worst off victim of the Quatermass experiment. This is especially true in a scene where Caroon finds himself at a dock where a little girl approaches him with her doll. It reminds one of the scene from the Universal Frankenstein where the seemingly innocent takes on a darker meaning. Overall, the film has a terrific cast of actors bringing it to life.

At a time when science fiction films were defined by the clichéd and outrageous monster and alien invasion films, this film (and its TV counterpart) went in the exact opposite direction. Director Val Guest choose to do the film not in the style of the time but in a near documentary style. That's why the film work's fifty years later: it seems real in that it is a product of its time and place. If Britain had started the space race in the mid-1950's, one feels this is how it would have been.

The film is also helped by two very strong elements: the black and white cinematography and the music score. Doing the film in black and white adds atmosphere to a film that is part alien invasion and part manhunt. It helps especially in the film's fiery finale. The music score by James Bernard is terrific in adding to the atmosphere of the film and it never intrudes, but just helps to bring one a little bit closer to the edge of one's seat. The film wouldn't be the same without either one of these two elements.

Yet as much as I would like to call this film perfect, it isn't. There is one thing that the film hits and misses on: special effects. The downside of the film being so much a product of its time is that when the special effects are looked back at from a distance, they look primitive. That's not to say that the special effects are bad. The prosthetics work in particular looks good even by today's standards as far as I'm concerned. The finale of the film is the most obvious spot where the special effects are a bit of a let down by modern standards. Then again, it is hard to compare special effects from one era to another so this is an issue for the viewer to decide on.

While the special effects may hamper the film for some, one must admit that The Quatermass Xperiment is a classic of the genre. From the terrific performance (especially of Donlevy and Wordsworth), to the realistic style and tone, to the excellent cinematography, to the dark score by James Bernard, The Quatermass Xperiment is a tour de force for the more intelligent and less action based science fiction films. If you can put aside the mid-1950's special effects, you're going to find a tense, realistic, and gritty science fiction classic. ...



Rating: 5 out of 5 stars - A good movie to see
Only true fans of science fiction will appreciate the creeping unknown
a.k.a.The Quatermass Xperiment. I happen to be one of them. I remember
watching this fim at the age of eight and it scared me silly. Later on
I understood better and it didn't bother me.
Basicly I like the film. When you consider that this is mid 50's London
when true special effects weren't even around yet,I think the film super-
cedes itself into a wonderful smooth-flowing movie even if the plot is
somewhat typical of Sci-fi movies of the 50's. For what it's worth,even
the United States did't have the best sci-fi special effects like the
ones we see today with comperization. It actually took real crews of men
and women to produce those effects.
Brian Donlevy in his performance as the arrogant Professor Quatermass
is so hateful you have to love him. Another memorable one is Richard
Wordsworth who play Carroon. Absolutely brilliant. I also found amusing
the overly dramatic expresssion of the BBC announcer in the trailor who
witnesses this unknown thing with his own eyes. Only the TV announcer
in Gorgo did better. The only notables are King-Wood who play the good
doctor's assistant and Jack Warner who played Lomax. I liked his sarcasm
when talking to Quatermass. Actually brought Quatermass to his knees if
only in a figurative sense. Otherwise everyone else just essentially
played their parts. Still it is good science fiction fun.

Xperiment Quatermass


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On paper, the Mio DigiWalker P550 looks to be an attractive gadget for the mobile professional, combining the capabilities of a PDA and GPS into one device. However, its poor battery life and subpar navigation skills tell a different story.

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Diesel vehicles have nearly a 50-percent market share in Europe, thanks to tax incentives and diesel-friendly legislation across the EU. Diesels are so passé there that you can buy a BMW 730d and no one will think it odd that your luxury car burns oil. Pull up in a diesel 7-Series in America and people would leer at you like you've alighted from an amphibious vehicle reeking of saltwater and dead trout.

But now, thanks to the oft-reported combo of newly-raised CAFE standards, not-so-newly-raised gas prices, and the 50-state diesel engine, GM, Ford, and Chrysler are about to dip more than a hesitant toe into the diesel game. Chrysler offers a diesel in the Grand Cherokee, but soon all three automakers will offer diesels in their best-selling lineups of light trucks -- the Dodge Ram 1500 is expected to offer a 50-state diesel after 2009. Light trucks are being used to lead the charge since those buyers stand to gain the most with the least amount of (perceived) sacrifice.

Diesels currently have 3.2-percent of the American market. Some estimates put them at 15-percent by 2015. That's a huge leap, and diesel still has plenty of hurdles. Diesels will come with a cost premium over gasoline-engined cars. That should be easy enough to conquer -- incentives and some quick cost and longevity calculations should convince people of the benefit. The real hurdle is the nagging issue of perception. The plan will probably be to attack that with a price that makes the proposition unbeatable. Said Chrysler's director of environmental affairs, "If it's priced right, we can sell diesel here. Diesel can give you an immediate poke in fuel economy -- 20 to 40 percent. Not many technologies can deliver that today."

[Source: Detroit News]

 

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The Garmin nüvi 360 GPS Navigator and Personal Travel Assistant is a GPS navigator, personal translator, multi-media entertainer and tour guide all wrapped into one. In addition to all the advanced features of the Garmin nüvi 350 -- including automatic routing, turn-by-turn voice directions, an MP3 player and audio book player, JPEG picture viewer, and much more -- this pocket-sized personal travel assistant comes with hands-free Bluetooth wireless technology, making it the hands-down go-anywhere travel companion.


The nüvi 360 comes with hands-free bluetooth wireles technology. See side view.


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Gamin nüvi 360, Preloaded City Navigator NT North America or Europe (full coverage), vehicle suction cup mount, AC charger, 12/24 volt adapter cable, dashboard disk, USB interface cable, carrying case, owner's manual, and quick reference guide.

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Weather reporting available with bright, colorful graphics.
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You can also use the mini-USB port for tranferring files directly to the memory card.
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Garmin nüvi 680 with MSN Direct, City Navigator NT maps for North America (preloaded, full coverage), MSN Direct receiver with integrated vehicle power cable, 1 year of free MSN Direct service, vehicle suction cup mount, an AC charger, vehicle power cable, dashboard disk, a USB cable, leather carrying case, quick reference guide, and owner's manual.
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There are but two kinds of people in the world: Those captivated by Baz Luhrmann's heady, postmodernist musical romp Moulin Rouge--and everybody else. Oddly, the film's initial soundtrack release may have been the project's most traditional element, marketing a slate of pop-star contributions that gave listeners a sometimes-skewed perspective on its true musical charms. This follow-up corrects much of that oversight, offering original film versions of "Sparkling Diamonds" (the lavish, Nicole Kidman-performed medley of "Diamonds Are a Girl's Best Friend" and "Material Girl"), Jim Broadbent's and Richard Roxburgh's loopy take on "Like a Virgin," as well as the lively Offenbach "Can Can" parody "The Pitch (Spectacular Spectacular)." It also pays homage to the efforts of composer Craig Armstrong, whose quietly compelling underscore often binds the film's other far-flung musical influences together, be they stately orchestral readings of Elton John's "Your Song," a dramatic arrangement for Kidman and Ewan MacGregor's original film duet of "Come What May," or his dark, melodramatic take on Queen's "The Show Must Go On." The first Moulin Rouge soundtrack collection flaunted the film's bold, cross-genre ambitions; this one chronicles its nakedly emotional heart and soul. --Jerry McCulley
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It would be easy to dismiss Kelly Osbourne's musical ambitions based on 1) Her royally obnoxious behavior on the family's MTV reality series, 2) Her overly manufactured debut album, Shut Up, and 3) That voice, which up until now, sounded like cats on a chalkboard. But spare a moment for the bratty singer's follow-up effort, a remarkably faithful new-wave throwback, which generously references everyone from Duran Duran to Missing Persons. Producer Linda Perry not only effectively revives the dramatic sounds and melodies of the era but offers songs that perfectly suit Osbourne's, er, constrained vocal range. The resulting disc is full of guilty pleasures like "Uh Oh" and "Redlight," tunes that should strike a chord with anyone that still gets a thrill out of happening upon basic cable reruns of "Sixteen Candles." --Aidin Vaziri
Quatermass Xperiment
Shopping  Created at Thu Dec 4 18:17:16 2008